With six BAFTA TV Awards nominations and Lola Petticrew at the centre, Channel 4’s Trespasses is the quiet threat to Adolescence in the Limited Drama race – here is why UK voters could go for the upset on Sunday 10 May.
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ITVX has finally given Lauren Kate’s cursed-angel saga the long-form adaptation it deserved. The eight-episode International Emmy-winning series lands as a UK box-set drop on Sunday 3 May 2026 – here is whether it is worth the binge.
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Every few years the obituaries are written for UK soap operas. They keep getting better. Inside the quiet reinvention of EastEnders, Corrie and Emmerdale in 2026.
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Two episodes in, our Criminal Record season 2 review checks whether Capaldi and Jumbo’s Apple TV thriller still earns its place in a packed British drama field.
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Emerald Fennell’s Wuthering Heights, with Margot Robbie and Jacob Elordi, hits HBO Max in the UK on 1 May. A UK viewer’s guide to the divisive Bronte adaptation, what’s changed, why critics split, and whether to press play.
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Richard Gadd’s six-part Glasgow drama Half Man arrived on BBC iPlayer this Friday, and it is bleaker, slower and braver than Baby Reindeer. Three episodes in, here is what works, what does not, and why Jamie Bell is on career-best form.
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BAFTA TV Awards 2026 predictions, category by category: where Adolescence and A Thousand Blows actually win, and the three races still open before 10 May.
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Look Mum No Computer heads to Vienna on 16 May with ‘Eins, Zwei, Drei’ – the first UK Eurovision entry in 68 years not sung entirely in English. Can a synth-builder from Ramsgate break the UK’s losing streak?
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The six-episode drama is now the British television default – the length of Happy Valley, Line of Duty, Slow Horses. Here’s why it took over, what it does well and what it quietly loses.
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British documentary is having its strongest run in years, from BBC Storyville to Channel 4’s Dispatches and a new wave of single-subject films. Here’s why it’s thriving, what’s worth watching and where the genre goes next.
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